Tag: wide
Haboro Slab Font
Haboro Slab. It’s a nose-to-the-grindstone kind of font like the first of its family. This slab serif pushes through the clutter powerfully in editorial and corporate work such as business websites and software. The Haboro hyperfamily as a whole is
Metra Serif Font
“Metra” has the clarity of a classical Sans font and the charm and elegance of a Gothic Copperplate. I designed it because for some purposes one needs a Serif with that cool “Sans” look. I sell the font in 5
Dylan Copperplate Font
Dylan Copperplate is my newest addition to the ever growing family. The small flicks of the burin add an elegant touch to the solid font-design. Very handsome and useful for all kinds of invitations and business-cards as well as for
Ela Sans Font
“Ela Sans” is the sister of the typeface I originally designed for the business of my second wife and mother of my two sons, her name is – of course – Michaela. Ela – the typeface – is suitable for
Principe Font
“Principe” is the Bodonian idea driven to the limit by abolishing most of the hairlines! The shape is completed only by the eye of the reader. This gives room for elegant embellishments and makes for a surprisingly new look to
Copperplate Classic Medium Font
“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally
Ela Demiserif Font
Ela Demiserif is the typeface I originally designed for the business of my second wife and mother of my two sons; her name is, of course, Michaela. Ela – the typeface – is suitable for magazines, newspapers, posters, advertisements, books,
Copperplate Deco Font
“Copperplate Deco” is my sparingly decorated version of my Copperplate fonts. They can be used as stand alone fonts. Published by Wiescher DesignDownload Copperplate Deco
Copperplate Classic Light Font
“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally
Copperplate Classic Font
“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally
Bombelli Light Hand Font
Bombelli is a font that looks like it has been handwritten by a meticulous architect in one of those hand-drawn blueprints of the old days. I chose the name to honor one of my ex-bosses — a graphic designer-architect who
Alpha Delta Font
“Alpha Delta” the standard paperclip is the basic idea behind this font. By working on it, I changed it so that it doesn’t look too much like a paperclip any more. Published by Wiescher DesignDownload Alpha Delta
Eleganza Font
“Eleganza” is my most elegant typeface. At least that is what I think! I use it for business cards and everything that has to be elegant with that extra touch. The font comes in pairs for the price of one.
Elegia Font
I designed Elegia on a winter escape in beautiful and sunny Lisbon. That was a very elating experience, friendly people, a beautiful old town, perfect coffee and good simple cooking all that topped by extremely reasonable prices. Since I just
Supra Extended Font
Supra Extended – designed by Gert Wiescher in 2013 – is the extended version to this new sans typeface family of eight weights. The extended version is designed for sheer elegance and has no italics because they didn’t look nice
Alergia Remix Font
Alergia_Remix designed by Mateusz Machalski is younger sister of Alergia_Grotesk. Remixed styles was made as a hybrid between a linear antiqua and a geometric display typeface. Alergia_Remix is characterised by a lot of details, which gives it a strong character.
Alergia Grotesk Font
Alergia_Grotesk was made as a hybrid between a classical geometric grotesque and a linear antiqua. Typeface is characterised by a lot of details, which gives it a strong character. Unpredictable cuts in a letters “a” and “s”, or a double
Cindie Mono Font
Cindie Mono is a multi-width display font. Six different widths – A (condensed) through F (super extended) – mathematically correspond with one-another creating a stackable type family. Each face contains all caps full West, Central and East European language support.