Tag: wide
Sol Pro Font
Based on the classic Sol design by Marty Goldstein and C.B. Smith, published by VGC in 1973, Sol Pro goes above and beyond the call of revival/retooling to include plenty of optical improvements to the original design, more weights, italics,
Sitcom Outline Font
Created by Ann Pomery in the early 90s, Sitcom has the look and feel of titling fonts used for popular TV comedy sitcoms of that time. The font is lively and playful. Best used as a display face. Published by
Graphie Font
Graphie is a modern geometric sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 16 style: eight weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body
P22 Tuscan Expanded Font
P22 Tuscan Expanded is a digitization of the mid 19th century wood type font “Antique Tuscan Expanded – Wells & Webb 1854”. Specimens of this font are rarely, if ever, seen with a lower case. It is noted in the
Bosko Font
A robust slab serif typeface that combines classic proportions with contemporary styling. These carefully crafted letterforms are best suited for use on book jackets, news headlines, packaging, posters and t-shirts. Details include 4 distinct styles, a full character set, manually
Archie Font
Archie is a wide attention-grabber based on a simple geometric alphabet drawn in the early 1930s by Dutch calligrapher and lettering artist Martin Meijer. This digital family expands considerably on the original letters, adding biform shapes, small caps, italics across
Ironstrike Font
Ironstrike pays homage to industrial and constructivist lettering. Rigid shapes and tall lowercase letters evoke strength and technology. Seven weights with matching italic fonts step up to your tough design challenges. Fine light weights emphasize white space and powerful heavy
Novecento Slab Font
Novecento Slab is the “slab serif” companion of Novecento Sans, a font family inspired on european typographic tendencies between the second half of 19th century and first half of the 20th. This font face is designed to be used mostly
YWFT Thinaire Font
Tape hiss nearly obscures the tender chords and barely-whispered voice, singing a shy song that has the coffee house in tears. Yes, indeed, it’s YWFT Thinaire, the dreamy nerd that has all the librarians fluttering at the reference desk. Now
Eneas Expanded Font
Eneas Expanded is a decorative artistic poster handwritten font. It’s an sans serif, wide, rounded monoline font which will provide an informal, funny and fancy look to your work. It’s recommended for display usage for its glyph quality. Published by
Strangelove NextSlab Font
Strangelove NextSlab is a serif version of the bestseller Strangelove. It contains 3 styles with two weights each. (Be sure to have ‘Contextual Alternates’ activated in your design app of choice to get a more lively look when it comes
Enviro (Antique) Font
Designed by Letraset Studio in 1982, Enviro is a quirky and faux distressed font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Enviro (Antique)
Velodroma Font
Velodroma is new display sans serif, probably one of the widest typefaces ever made. But the widest is not the only thing you get. You get regular and wide too and in one font, so you can combine them together.
Columbia Titling Font
Columbia Titling is an titling-caps display family based on wide Clarendon-style wood type and industrial signage design from the late-19th and early-20th Century. Columbia Titling includes a small set of OpenType features, including both tabular and proportional figures, special superscript
Aloha Script Font
Aloha! Veteran Sign Painter Pierre Tardif and Lettering Artist Charles Borges de Oliveria have teamed up to bring you these fun to use brush fonts. Aloha Script comes in two flavors: Aloha Script and Aloha Script Casual. Both fonts contain
Crique Grotesk Font
The Crique Grotesk This contemporary typeface is inspired from Neo-humanist and Geomatric industrial tone presented the late 2000s typeface. The font family is also composed of the normal width and display width in order to support the different applications on the delicate
Cinderblock Font
If prisons are built with stones of law, then powerful words indeed are built with letters of Cinderblock–the World’s Tallest Typeface. Inspired by masonry and available in eight heights–each version growing approximately 25% taller than the previous–Cinderblock is a brand