Tag: wide

Kari Pro Font

Kari evolved from an earlier design called Juicy. In Kari’s case, the design ended up far curvier and loopier than its sister. The typeface went through an enhancement period where several OpenType features were incorporated into the character set –

Filmotype Western Font

Inspired by French Antique reverse-stress types of the 1880s, Filmotype Western was released in 1955 to expand its Flat Serif category. Popular in broadsides, circus posters and advertisements at the turn of the 19th century, Filmotype Western will add old

Como Font

Como is a modern rounded sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 8 weights from ExtraLight to Heavy. The basic skeleton of their letterform was designed geometrically and their ends were rounded out. The sophisticated

Santiago Font

Santiago is a western wanted poster influenced typestyle with a clean and friendly feel to it. Almost comic like in its simple and clean appearance, with caps vs. smallcaps settings, and a variety of weights and widths from condensed to

Craw Modern Font

Designed by Freeman Craw in 1958, Craw Modern is a serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Craw Modern

Filmotype Wand Font

Filmotype Wand was introduced in 1955 as part of the Flat Serif category. Inspired by smart slab serifs including Hellenic Wide popular in American television westerns and in heavy use in corporate letterhead and store packaging, Filmotype Wand takes a

YWFT Reversion Font

YWFT Reversion is an interestingly wide and versatile display type design, perfect for a striking headline or an attention-grabbing poster or billboard. One of YWFT Reversion’s strengths is its ability to help any designer start custom lettering jobs with a

DeLuxe Gothic Font

Michael Doret was always very aware of the fact that Morris Fuller Benton’s classic Bank Gothic, a longtime favorite of his, didn’t contain any lowercase characters. So he set out to remedy that by designing his all new DeLuxe Gothic,

Hydrogen Font

Hydrogen is a clean geometric unicase family that expresses the mechanics, expansive technologies and conflicted ethics of the rapidly changing 21st century. Coupled with the right measure of Oxygen, Hydrogen becomes water, the ace of elements – rhythmic, dynamic, ever-flowing,

Vektori Font

Vektori family comes from those Atari games that had those distinct vector graphics with thin and precise straight lines. Contains 6 very diverse width styles, that make it easy to fit any type layout in need of some digital styling.

Bank Gothic Pro Font

If there was an American Typeface Hall of Fame, Bank Gothic, designed by the great Morris Fuller Benton would hold a place of special distinction considering this design has survived so many trends in typographic fashion since being introduced in

Uomo Font

Uomo is a contemporary typographic system that explores sans geometric style and italian art deco that allows to combine four widths and three weights. Includes small caps and extras with illustrations, ornaments and words to design with no necessity of

Serpentine Font

Designed by Dick Jensen in 1972, Serpentine is a glyphic sans font design. Serpentine is a font design owned by Linotype. Published by URW Type Foundry GmbHDownload Serpentine

Iron Maiden Font

Designed by Steve Jackaman, Iron Maiden is a retro display face released by Red Rooster. Published by Red RoosterDownload Iron Maiden

Novecento Sans Font

Novecento sans is an uppercase-only font family inspired on European typographic tendencies between the second half of 19th century and first half of the 20th. It looks rational and geometric. However, it is optically corrected and balanced. This font face

Griffon Font

Griffon, titling face with influence from classic letterforms, inspired by retro faces in the early 20th century. This font family was all redesigned from scratch and now released ranging in 5 weights with small caps from Light to Bold. The