Tag: wild

P22 Bifur Font

Bifur was originally designed by poster artist A.M. Cassandre. This Art Deco type design was issued by the French foundry Deberny & Peignot in 1929. Even upon it’s original release and promotion, suggestions on how not to use Bifur were

P22 Dada Font

Inspired by Dada typography and poetry circa 1920. The DaDa movement had much in common with the Italian Futurist movement. One might even consider DaDa to be the more impish cousin of Futurism, for both movements shared ideas relating to

Stalker Font

Stalker is one of those necessary fonts in a designer’s toolbox: Grungy sans serif caps that are most useful for entertainment project chores. Originally made in the summer of 2003 for set and prop design of an Alliance film, Stalker

Guillotine Font

Guillotine is inspired by an uncredited early 1970s film face called Rhythm Bold. While the original film type had plenty of round forms that were uneven and somewhat badly drawn to fit within the overwhelming pop wave of the time,

Wild Pen Font

Wild Pen is a handwritten typeface created through an experimental pen that’s made from recycled plastic bottle. Its spontaneous strokes are very free and allow presence of drops and blots of ink. The complete family consists of five different fonts,

Timber Font

Timber is a sturdy font built by northwoods loggers (Or perhaps by beavers – we’re not quite sure) No plywood or simulated woodgrain veneer here, folks! Just genuine hardwood logs ready to construct your next rugged typographic project! Published by

Common Comic Font

The Common Comic volume is the fifth in Canada Type's ever-growing series of comic book fonts, which really is the expression of Patrick Griffin's continued obsession with the genre. Common Comic joins Collector Comic, Captain Comic, Caper Comic, and Classic

Diskus Font

Designed by Martin Wilke in 1938, Diskus is a script font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Diskus

Malambo Font

The master of the dancing brush, Angel Koziupa, and the node-obsessed perfectionist, Alejandro Paul, offer up another bucket of fun with Malambo. This time Koziupa allows his brush to jitter one whole millimeter, and Paul digitizes with two eyes instead

Cenizas Font

Cenizas is another masterpiece of rough-and-tumble script from the prolific Argentine duo of Koziupa and Paul. Although the overall ‘wildness’ of Cenizas is reminiscent of popular mid-twentieth-century English display scripts, Koziupa’s Latin brush humor and ingenuity remain evident in the

Bravissima Script Font

Bravissima is the dynamic and spirited embodiment of the 1970s, when food was food and the wild brush ruled. It tells you to eat, and to do it right now. Another perfect blend of traditional Koziupa calligraphy and Paul tech,

Tuba Font

Initially commissioned in the summer of 2009 for a popular North American ice cream parlor chain we cannot name, Tuba started with a reconceptualization of a somewhat flawed ’72 alphabet idea by Swiss graphic designer Erwin Poell. During the back-and-forth

Genesis Font

Genesis is a digitization and expansion of a Frank Riley metal typeface called Grayda, originally published to much applause by ATF in 1939. The concept for this disconnected script is quite novel and original among cursives and calligraphic fonts: The

YWFT Psychosis Font

Some folks say we’re too prone to hyperbole in these font descriptions, but we can’t help ourselves some times. And this is one of those times. YWFT Psychosis is THE CRAZIEST OpenType font we have ever released. No joke, you