Tag: xmas
Canvas Acrylic Megafamily Font
The Canvas Acrylic Megafamily from Yellow Design Studio is a collection of nine distinct hand-painted font families ranging from refreshingly festive to folky and organic. Six of the families include unique layering options for added dimension and impact. With authentic,
Aviano Silk Font
As part of insigne’s annual tradition in adding to the Aviano family, this modern development of a timeless font was selected the clear leader in a poll of insigne design’s social media followers. Silk refers to the smooth, flowing feel
Wagner Script Font
This gem of a script was what metal era typographers called a continental face, which essentially meant an old, most likely uncredited, metal face that was common to many European foundries. This particular one ran the rounds in the first
Yuletide Doodles Font
Yuletide Doodles is the perfect font for that quickie Christmas party flyer, menu, or invitation. Or make your own gift tags. The uses are endless. This font includes gifts, ornaments, snow globe, snow man, holly, olive branch, lots of trees
Gaulois Font
A couple of years before the second World War, Marcel Jacno, the popular French graphic designer who in the 1930s designed iconic posters for Gaumont and Paramount and famously illustrated the Gaulish helmet that first adorned the Gauloises cigarette packs
YWFT Chateau Font
Home-spun & hand-done, the coarsely calligraphic YWFT Chateau is an endearingly uneven complete script face with unerring links and lots of character. YWFT Chateau was converted to opentype format in 2010. Published by YWFT Maddy NyeDownload YWFT Chateau
LTC Holly Leaves Font
LTC Holly Leaves consists of three ornament fonts. Holly Leaves A is a solid color set of holly leaves borders. LTC Holly Leaves B is the same ornaments but with just the leaves and LTC Holly Leaves C is just
Biscuit Boodle Font
Biscuit Boodle is a fun and uplifting script from Portland Studios Illustrator Justin Gerard. The characters are brush drawn with a slight texture. The font comes packed with OpenType alternates and ligatures. Included are small caps, old style figures, titling
Alexander Quill Font
Alexander Quill was originally designed in the early 1980s to be cut in 14 point for casting into foundry type for the setting and printing of limited edition books at Pie Tree Press, Jim Rimmer’s private sanctum. This alphabet exhibits
LTC Metropolitan Font
This font family is a revival of Centaur by Bruce Rogers(1870-1957) and Arrighi by Frederic Warde (1894-1939). A previous digital version was released by Giampa Textware/Lanston Type Co. in 1987. Metropolitan Roman: Originally designed by Bruce Rogers in 1914, Centaur
Fellowship Font
Named in tribute to the members of the American Typecasting Fellowship, this font is an original expression of Jim Rimmer's left-handed calligraphy. It was designed and cut in 24 p in the early 1980s, then cast as foundry type on
Testament Font
From the standpoint of calligraphy, a font family of capitals and uncials makes perfect sense. The Roman square capitals, the quadrata, are matched by round capitals of older Greek origin; the word “uncus” means hook-shaped like a beak or talon.
Tall Skinny Condensed Font
Tall Skinny Condensed was designed this way because I felt a serious need for that one big, thin word to fit in a narrow space. It is great for ‘SALE!’ in a one column ad. Also is a life saver
Aeronaut Font
A Neogothic typeface that radiates trendy ease and allows bicolor compositions. The decorative elements of Aeronaut, the swashes we call parachutes and the squiggly arrows of the upper-case characters soften the font’s Gothic appearance. It’s the reason why we labeled
P22 Yule Font
P22 Yule is a family of display fonts inspired by a mélange of ancient inscriptional writing, with visual references to Anglo-Saxon, Celtic, medieval and even a bit of ancient Greek and roman letterforms. Yule is exotic yet familiar and evocative